Alla Lavinia Fontanas Oljemålningar
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| ID |
Bilder |
Oljemålningar Från A till Z |
Information |
| 79752 |
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Assumption of the Virgin |
Oil on canvas, 192 x 115 cm
Date 1583(1583)
cjr |
| 69732 |
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Christ with the Symbols of the Passion |
oil on canvas painting by Lavinia Fontana, 1576, El Paso Museum of Art |
| 30535 |
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Family Portrait |
mk68
Oil on canva
33 1/2"x41 1/2"
Milan,Brera Gallery
c.1600
Italy
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| 58420 |
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Gentleman Portrait |
mk261 Bologna 1579 oil on canvas 93.5 x 74.5 cm |
| 79751 |
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Holy Family with Saints |
Oil on canvas, 127 x 104.1 cm
Date 1578(1578)
cjr |
| 83694 |
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Holy Family with Saints |
Oil on canvas, 127 x 104.1 cm
Date 1578(1578)
cyf |
| 93453 |
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Judith and Holofernes. |
Oil on canvas; 175,9 x 134,1 cm.
cjr |
| 89358 |
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Judith with the head of Holofernes. |
oil on canvas
cjr |
| 72077 |
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Minerva dressing |
1613(1613)
Oil on canvas
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| 73601 |
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Minerva dressing |
Date 1613(1613)
Medium Oil on canvas
cyf |
| 29885 |
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Noli Me Tangere |
mk67
Oil on canvas
31 1/2x25 13/16in
Uffizi,Gallery
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| 67386 |
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portratt av familjen gozzadini |
1584
se |
| 87022 |
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Ritratto di ragazza |
between 1580(1580) and 1583(1583)
Medium Oil on metal
Dimensions 10 cm (diameter)
cyf |
| 58421 |
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Self portrait |
mk261 Bologna canvas 15.7 centimeters in diameter |
| 30068 |
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Self-Portrait |
mk67
Oil on copper
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| 30523 |
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Self-Portrait |
mk68
Oil on wood
10 3/4x9 3/4"
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| 26761 |
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Self-Portrait in the Studiolo |
mk52
1579
Oil on copper,diameter 15.7cm
Uffizi,Florence
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| 42003 |
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The consagracion to the Virgin one |
mk166
1599 I Wave on cloth 280x186cm Museum of Fine Arts
Marseulla
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| Lavinia Fontana
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| Italian Painter, 1552-1614
Daughter of Prospero Fontana. She was trained by her father and followed his Mannerist style. Her first recorded works, which date from 1575, were small paintings for private devotion, such as the Holy Family (Dresden, Gemeldegal.). By 1577 she had become established as a portrait painter in Bologna. Works of this date include the Self-portrait at the Harpsichord (Rome, Gal. Accad. S Luca) and the portrait of Senator Orsini (Bordeaux, Mus. B.-A.). Her portrait style reflects the formality of central Italian models as well as the naturalistic tendencies of the north Italian tradition. The elegantly costumed Orsini is shown seated at a table, with a suite of rooms opening behind him, a setting recalling such Florentine portraits of the 1530s as Agnolo Bronzino's Bartolommeo Panciatichi (Florence, Uffizi). Lavinia used a similar setting for other portraits, including the Gozzadini Family (1584; Bologna, Pin. N.). Female sitters are also shown in elaborate dress, with particular attention paid to details of embroidery and jewels, and they are often accompanied by small dogs
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